Publications

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Call of the Void (2023)

Roger Ballen. Call of the Void is the eighth in a series of exhibitions at Museum Tinguely under the title Danse macabre with works responding to Jean Tinguely’s late work Mengele Totentanz (Kehrer 2017).

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Boyhood: Expanded Edition (2022)

This new and expanded edition of Roger Ballen’s widely acclaimed 1979 photobook Boyhood features new and unpublished images taken by the photographer in the ‘70.

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Daydreaming, 2018

Ballenesque, Roger Ballen: A Retrospective, Paperback Edition (2022)

Now available in paperback, Ballenesque takes readers on a visual, chronological journey through Roger Ballen’s entire oeuvre, including both iconic images and previously unpublished photographs.

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Smoked Out_2020

Roger the Rat (2020)

In these sixty black-and-white photographs Ballen creates a persona, Roger the Rat. Here, Ballen unveils a selection of uncanny photographs so completely different from his previous work, yet still possessing the unmistakable Ballenesque aesthetic.

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The World According to Roger Ballen (2019)

The World According to Roger Ballen, co-authored with Colin Rhodes, looks at Ballen’s career in the wider cultural context beyond photography, including his connections with and collections of Art Brut.

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Ballenesque

Ballenesque, Roger Ballen: A Retrospective (2017)

With over 300 photographs, Ballenesque provides not only an entirely new way of seeing Ballen’s work, but also a comprehensive introduction for those encountering his photographs for the first time.

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Dog Meets Dog, 2016

Unleashed (2017)

Unleashed, a collaboration between Roger Ballen and Dutch draftsman Hans Lemmen, reveals a universe of surreal truths born out of a dialogue between their respective mediums of photography and drawing.

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Touching Toes, 2016

No Joke (2016)

No Joke, the revolutionary collaborative series by Roger Ballen and Asger Carlsen. The self-contained series of 37 black-and-white photographs premieres in its entirety.

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The Theatre of Apparitions

The Theatre of Apparitions (2016)

A ground-breaking monograph from Roger Ballen, it’s both a departure from his existing oeuvre and the culmination of his unique aesthetic, linking image-making and theatrical performance.

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Asylum of the Birds

Asylum of the Birds (2014)

Roger Ballen’s masterful new monograph showcases photographs taken entirely within the confines of a house in a Johannesburg suburb, the location of which remains a tightly guarded secret.

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Roger Ballen and Die Antwoord: I Fink U Freeky series

I Fink U Freeky (2013)

Art photography meets popular culture in this behind-the-scenes look at the making of a hugely successful music video by musicians Die Antwoord and photographer Roger Ballen.

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Boarding House series

Boarding House (2009)

Boarding House is a journey of discovery in which we leave our ordinary selves behind and confront a primitive part of the human condition and its psyche, occupying its own universe.

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Shadow Chamber series

Shadow Chamber (2005)

Exploring the underbelly of existence, Roger Ballen’s striking, ambiguous images of people, animals and objects posed in mysterious, cell-like rooms occupy the grey area between fact and fiction.

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Outland

Outland (2001)

Outland is the culmination of almost twenty years work for artist-photographer Roger Ballen and amounts to one of the most extraordinary photographic documents of the late twentieth century.

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Platteland series

Platteland (1994)

For almost two decades, Roger Ballen photographed subjects in the South African countryside, searching for aesthetic symbols to convey a sense of the place and the people.

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Dorps series

Dorps (1986)

The images in Dorps: Small Towns of South Africa define a body of work which is surely one of the purest and strongest aesthetic statements ever made in South African photography.

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Boyhood series

Boyhood (1979)

Each stunning photograph (culled from 15,000 boy photos shot during Ballen’s four-year quest) depicts the magic of boys revealed in their games, their adventures, their dreams, their mischief.

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